Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum

Italian prints and Finnish female sculptors at an Ateneum exhibition

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The Great Rider – Italian prints and Finnish female sculptors From 10 June to 2 October 2016
Marino Marini: Picture III: Hoary-headed frosts... (A Midsummer Night's Dream) (1977). The Rolando and Siv Pieraccini Collection, Ateneum Art Museum. Photo: Finnish National Gallery/Henri Tuomi.
Marino Marini: Picture III: Hoary-headed frosts... (A Midsummer Night's Dream) (1977). The Rolando and Siv Pieraccini Collection, Ateneum Art Museum. Photo: Finnish National Gallery/Henri Tuomi.

A small-scale exhibition on the third floor of the Ateneum Art Museum, to be held from 10 June to 2 October, will feature Italian prints and works by Finnish female sculptors. The prints are part of the extensive Rolando and Siv Pieraccini Collection of Italian art, donated to the museum.The sculptures by the Finnish female artists can be seen to draw inspiration from Italian sculpture. The artists to be featured at the small-scale exhibition, staged in two exhibition rooms, include Afro, Eila Hiltunen, Alberto Magnelli, Marino Marini, and Laila Pullinen. The works on display are part of the Ateneum collection. The exhibition is conceived by the special researcher Erkki Anttonen and the curator Anu Utriainen.

Marino Marini (1901–1980) is the most internationally famous Italian sculptor of the 20th century, but he was also a respected painter and graphic artist. He has the largest and most significant group of works in the Pieraccini collection: as many as 93 pieces. Some of Marini's most impressive works are his series of colourful illustrations for William Shakespeare's poems, which were some of his last works. The prints are a true show of skill of Labyrinth, a Florentine printing shop: up to 28 different shades are used in one image.

Marini's work has, in its way, also influenced Finnish sculpture, including, for example, the art of Nina Terno (1935–2003) and Eila Hiltunen (1922–2003). Helena Pylkkänen (born 1945) is interested in both old Italian sculpture and modern sculptors. Like Pylkkänen, Essi Renvall (19111979) drew on the tradition of old Italian sculpture, going back to the Renaissance. Renvall and Pylkkänen approached the relationship between modern and traditional art in a way that was characteristic of the post-war era. Similarly, Kaisa Saikkonen (19251981), a slightly lesser-known artist, was, early on in her career, inspired by Italian sculpture, from antiquity up to the Renaissance.

Alberto Magnelli (1888–1971) was one of the first Italian artists to move on to create abstract works. Many of Magnelli's works are compositions with strong colours, but in the prints from the I Collages di Magnelli portfolio (1969–1971), he has confined himself to an almost monochromatic scale, with shades of brown, grey, black and white. In these works, he has, instead of colour, focused on exploring the relationship between various surfaces and surface structures. 

Emilio Greco (1913–1995) and Giò Pomodoro (1930–2002) are, like Marini, known primarily as sculptors. The former created representational and the latter abstract art. Despite this difference, they were interested in similar issues, which is reflected in their sculptures and prints. In 2002, Pomodoro was granted the prestigious Lifetime Achievement in Contemporary Sculpture Award by the International Torino Sculpture Center (ISC). In his etchings, Emilio Greco has captured the nuances of the surface of his subject by using many lines that run in different directions and that become denser and deeper in the darker, shaded parts of the images. On the other hand, large areas of the image surface are usually left blank, with only outlines of the figures remaining visible. 

Very similar issues were also explored by Laila Pullinen (1933–2015) in her sculptures. Many of these are characterised by a certain dualism between the glossy parts of the sculptures and the patinated matt surfaces. The same duality shows in her method of combining different materials in one work. 

Like the works by Pomodoro, the aquatints by Afro (1912–1976) were printed at the renowned 2RC printing shop in Rome. They are part of his last portfolio of ten prints (1975), created as illustrations of Charles Baudelaire's poems Les Fleurs du Mal (The Flowers of Evil). Afro shifted his expression in the 1970s, from earlier free-form informalism towards sharply defined colour-field painting.

Opening hours
Tue, Fri 10am–6pm | Wed, Thu 10am–8pm | Sat, Sun 10am–5pm | Mon closed

Admission
9 May–27 October 2016: Adults €13 | Concessions €11 | Under 18s free admission | with S-Etukortti card €12

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Keywords

Contacts

Anna Kari, Communications Officer, tel. +358 40 717 8185, anna.kari at ateneum.fi


Press photos: press.ateneum.fi | username: ateneum | password: mediat

Images

Marino Marini: Picture III: Hoary-headed frosts... (A Midsummer Night's Dream) (1977). The Rolando and Siv Pieraccini Collection, Ateneum Art Museum. Photo: Finnish National Gallery/Henri Tuomi.
Marino Marini: Picture III: Hoary-headed frosts... (A Midsummer Night's Dream) (1977). The Rolando and Siv Pieraccini Collection, Ateneum Art Museum. Photo: Finnish National Gallery/Henri Tuomi.
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Laila Pullinen: Pelléas and Mélisande (1962). Ateneum Art Museum. Photo: Finnish National Gallery.
Laila Pullinen: Pelléas and Mélisande (1962). Ateneum Art Museum. Photo: Finnish National Gallery.
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About Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum

Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum
Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum
Kaivokatu 2
00100 HELSINKI

0294 500 200http://www.ateneum.fi

Kansallisgalleria on kuvataiteen valtakunnallinen museo. Se ylläpitää kolmea Suomen tunnetuimmista museoista, jotka ovat Ateneumin taidemuseo, Nykytaiteen museo Kiasma ja Sinebrychoffin taidemuseo. Lisäksi se hallinnoi kansallista taidekokoelmaa sekä siihen liittyvää arkistoa, rakentaa kulttuuriperintöä ja edistää taiteellista sivistystä. www.kansallisgalleria.fi  
 
The Finnish National Gallery is the national museum of fine arts. It operates three of Finland’s best-known museums: the Ateneum Art Museum, the Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum. It also manages the national art collection and its archives, develops Finnish cultural heritage and promotes art to the wider public. www.kansallisgalleria.fi/en 
 
Finlands Nationalgalleri är det nationella museet för bildkonst. Nationalgalleriet upprätthåller tre av de kändaste museerna i Finland: Konstmuseet Ateneum, Museet för nutidskonst Kiasma och Konstmuseet Sinebrychoff. Vidare administrerar Nationalgalleriet den nationella konstsamlingen och arkivet kring den, bygger upp vårt kulturarv och främjar kulturbildningen.  www.kansallisgalleria.fi/sv 

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Latest releases from Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum

En testamentsdonation sätter fart på konserveringen av Akseli Gallen-Kallelas freskskisser15.5.2025 10:50:44 EEST | Pressmeddelande

Konstmuseet Ateneum som är en del av Finlands Nationalgalleri har fått en betydande testamentsdonation på 700 000 euro av en finsk privatperson. Enligt donatorns önskan ska 150 000 euro av de donerade medlen användas för Nationalgalleriets konserveringsenhets behov och anskaffningar. Donatorn har önskat förbli anonym. Tack vare donationen kan vi tidigarelägga ett länge planerat projekt: att konservera Akseli Gallen-Kallelas freskskisser med Kalevala-motiv som ingår i Nationalgalleriets samlingar. Gallen-Kallela utförde skisserna för freskerna i takkupolen på Finlands paviljong vid världsutställningen i Paris år 1900. Av dessa kommer Hedendom och kristendom (1899) att visas på Ateneum på utställningen Gallen-Kallela, Klimt & Wien, som är öppen 26.9.2025–1.2.2026.

Testamenttilahjoitus vauhdittaa Akseli Gallen-Kallelan freskoluonnosten konservointia15.5.2025 10:50:44 EEST | Tiedote

Kansallisgalleriaan kuuluva Ateneumin taidemuseo on saanut merkittävän, noin 700 000 euron testamenttilahjoituksen suomalaiselta yksityishenkilöltä. Lahjoittajan toiveen mukaisesti lahjoitusvaroista 150 000 euroa käytetään Kansallisgallerian konservointiyksikön tarpeisiin ja hankintoihin. Lahjoittaja on toivonut, ettei hänen nimeään kerrota julkisuuteen. Lahjoituksen ansiosta voidaan toteuttaa pitkään suunniteltu hanke aiottua aikaisemmin: konservoida Kansallisgallerian kokoelmaan kuuluvat Akseli Gallen-Kallelan Kalevala-aiheiset luonnokset vuoden 1900 Pariisin maailmannäyttelyn Suomen paviljongin kattokupolin freskoihin. Näistä Pakanuus ja kristinusko (1899) saadaan esille Ateneumissa 26.9.2025–1.2.2026 esillä olevaan Gallen-Kallela, Klimt & Wien -näyttelyyn.

A bequest to expedite the conservation of Akseli Gallen-Kallela’s fresco sketches15.5.2025 10:50:44 EEST | Press release

The Ateneum Art Museum, which is part of the Finnish National Gallery, has received a significant bequest of approximately 700,000 euros from a Finnish private individual. As requested by the donor, 150,000 euros of the bequeathed funds will be used for the needs and acquisitions of the Finnish National Gallery’s conservation unit. The donor’s wish is that their name is not published. Thanks to the bequest, a long-planned project can be realised earlier than expected: the conservation of the Kalevala-themed sketches by Akseli Gallen-Kallela, held in the collection of the Finnish National Gallery, for the cupola frescoes of the Finnish pavilion at the 1900 Paris Exposition. Of these, Heathendom and Christendom (1899) will be on display at the Ateneum from 26 September 2025 to 1 February 2026 as part of the exhibition Gallen-Kallela, Klimt & Wien.

Utställningen Gallen-Kallela, Klimt & Wien hämtar Wiens puls till Ateneum7.5.2025 14:00:00 EEST | Pressmeddelande

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Syyskuun lopussa avautuva näyttely kertoo, miten Akseli Gallen-Kallelan taide kehittyi vuorovaikutuksessa kansainvälisten modernistien, kuten Gustav Klimtin ja Koloman Moserin kanssa. Klimtin johdolla perustettua, taidetta uudistanutta sesessio-liikettä yhdisti kiinnostus uuden identiteetin kehittämiseen ja moderniin elämäntapaan sekä suuriin julkisiin taideteoksiin. Näyttely tuo ensimmäistä kertaa Gustav Klimtin maalauksia Suomeen. Kuvataiteen lisäksi näyttelyssä nähdään myös valokuvia sekä muotoilua, kuten arjen esineitä, koruja ja muotia. Näyttely on esillä Ateneumissa 26.9.2025–1.2.2026.

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