Simon Fujiwara's exhibition It's a Small World opens at Kiasma
29.2.2024 09:56:00 EET | KIASMA | Press release
At the core of the work of British-Japanese artist Simon Fujiwara is a question - what does it mean to be a ‘self’ in the 21st century? With humour, inventiveness, delight and rigor, his works reflect on existential quandaries such as: How should one construct a self today? How has technology altered our identities? Is there such thing as an authentic ‘me’?

The Museum of Contemporary Art Kiasma is pleased to announce It’s a Small World, Simon Fujiwara’s first solo exhibition in Finland.
From performative lectures, video installations and paintings, to the creation of entire themed ‘worlds’, Fujiwara’s decade long practice employs a range of artistic strategies that seek to expand our notions of race, gender, national and sexual identities in a world increasingly mediated by technology and images. Often performing and even parodying his own identity in his work, he confronts these potent cultural topics in unexpected ways - mining fields such as advertising or theme park design, or drawing on art historical strategies, from Dadaism to Pop and Conceptual art.
Fujiwara’s work is informed by his early studies in architecture, and operate as ‘imaginary structures’ in which ethical and moral conundrums can coexist with the fantastical, surreal and absurd. These structures create spaces in which disconcerting aspects of life under 21st century capitalism can be examined in a playful and even pleasurable way.
The exhibition provides an introduction to the artist’s practice. It is curated by Kiasma’s chief curator João Laia.
Artist's biography
Simon Fujiwara (b. 1982, London) lives and works in Berlin.
Recent solo exhibitions include LagoAlgo, Mexico City (2023); Hyundai Gallery, Seoul (2023); Gio Marconi, Milan (2023); Prada Aoyama, Tokyo (2022); Esther Schipper, Berlin (2022); Fondazione Prada, Milan (2021); Kunstinstituut Melly, Rotterdam (2021); Dvir Gallery, Brussels (2020); Blaffer Art Museum, Houston, Texas (2020); Taro Nasu, Tokyo (2019) and ARKEN Museum of Modern Art, Denmark (2019).
Selected group exhibitions and biennials include the Dhaka Art Summit, Bangladesh (2023); Kunsthalle Hamburg, Germany (2022); Biennale of Moving Image, UCCA, Beijing (2022); Biennale de l’Image en Mouvement, Geneva (2021) and Hamburger Bahnhof – Museum für Gegenwart, Berlin (2019).
Fujiwara’s work is represented in the collections of major international art institutions, including Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; Tate, London; Museum of Contemporary Art, Tokyo; Hamburger Kunsthalle, Hamburg; and Centre Pompidou, Paris.
Fujiwara is the recipient of the 2010 Baloise Prize at Art Basel and the 2010 Frieze Cartier Award. He was shortlisted for the Preis der Nationalgalerie, Berlin in 2019.
Simon Fujiwara – It’s a Small World
1.3.–13.10.2024
Keywords
Contacts
Kiasma Communications:
Kiira Koskela, Communications Officer, +358 50 47 86 861, kiira.koskela@kiasma.fi
Piia Laita, Head of Communications, +358 294 500 507, piia.laita@kiasma.fi
Images

Links
The Finnish National Gallery is the national museum of fine arts. It operates three of Finland’s best-known museums: the Ateneum Art Museum, the Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum. It also manages the national art collection and its archives, develops Finnish cultural heritage and promotes art to the wider public. www.kansallisgalleria.fi/en
Alternative languages
Subscribe to releases from KIASMA
Subscribe to all the latest releases from KIASMA by registering your e-mail address below. You can unsubscribe at any time.
Latest releases from KIASMA
Kiasma vastaa Pohjoismaisen paviljongin näyttelystä Venetsian biennaalissa, joka avautuu yleisölle lauantaina4.5.2026 11:00:00 EEST | Tiedote
Pohjoismaisen paviljongin taiteilijat ovat tänä vuonna Benjamin Orlow (Suomi), Klara Kristalova (Ruotsi) ja Tori Wrånes (Norja). Näyttelyn keskeisenä vaikutteena on ollut Kalevala.
Klara Kristalova, Benjamin Orlow and Tori Wrånes present How Many Angels Can Dance on the Head of a Pin? at the Nordic Countries Pavilion at 61st International Art Exhibition – La Biennale di Venezia4.5.2026 11:00:00 EEST | Press release
Myth, matter and bodies blur in a world shaped by collapse and renewal.
På Edith Karlsons utställning hjälper sagokänslan oss att greppa verkligheten16.4.2026 08:33:00 EEST | Pressmeddelande
På skulptören Edith Karlsons utställning möter besökaren fyra meter höga jättar, ett skelett som bildar en båge över salen och en armé som rider mot sitt oundvikliga öde. Fåglar och andra djur blickar tyst tillbaka på oss. Sjöjungfrur som vilar sig vid en källa har stigit upp ur vattnet för att vittna om vad människan har gjort mot havet och jorden. Utställningen öppnar på Kiasma fredagen den 17 april 2026.
Edith Karlsonin näyttelyssä sadunomaisuus auttaa hahmottamaan nykytodellisuutta16.4.2026 08:33:00 EEST | Tiedote
Kuvanveistäjä Edith Karlsonin näyttelyssä kävijä kohtaa nelimetrisiä jättiläisiä, jättimäisen luurangon ja kohti vääjäämätöntä kohtaloaan ratsastavan armeijan. Linnut ja muut eläimet tuijottavat hiljaisina vastaan. Kaivon äärellä lepäilevät merenneidot ovat nousseet vedestä todistamaan, mitä ihminen on merelle ja maalle tehnyt. Näyttely avautuu Kiasmassa huomenna perjantaina 17.4.2026.
Edith Karlson’s exhibition uses fairy tale imagery to make sense of contemporary reality16.4.2026 08:33:00 EEST | Press release
Sculptor Edith Karlson’s exhibition confronts visitors with four-metre giants, a skeleton arching across the hall, and an entire army riding toward its inevitable fate – while birds watch on silently. By a well, mermaids rise from the water to witness the consequences of human destruction on sea and land. The exhibition opens at Kiasma on Friday, 17 April 2026.
In our pressroom you can read all our latest releases, find our press contacts, images, documents and other relevant information about us.
Visit our pressroom