Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum

Gallen-Kallela, Klimt & Wien exhibition to bring the pulse of Vienna to the Ateneum

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To open at the end of September, the exhibition Gallen-Kallela, Klimt & Wien will explore how Akseli Gallen-Kallela’s art developed in interaction with international modernists, such as Gustav Klimt and Koloman Moser. The Vienna Secession movement, which was founded under the direction of Klimt and which set out to reform art, was united by an interest in developing new artistic identities, promoting a modern way of life, and creating large public works of art. The exhibition will bring Gustav Klimt’s paintings to Finland for the first time. In addition to visual art, the exhibition will feature photography and design, including everyday objects, jewellery and fashion. The exhibition will be on display at the Ateneum from 26 September 2025 to 1 February 2026.

Gustav Klimt: Beethoven Frieze: The Hostile Forces - panel 1 and 2, front wall (1901/1902), Belvedere, Vienna. On permanent loan in the Secession Building, Vienna. Photo: Belvedere, Vienna. Copies of the mural will be on display at the exhibition.
Gustav Klimt: Beethoven Frieze: The Hostile Forces - panel 1 and 2, front wall (1901/1902), Belvedere, Vienna. On permanent loan in the Secession Building, Vienna. Photo: Belvedere, Vienna. Copies of the mural will be on display at the exhibition.

The young artists of the late 19th and early 20th centuries wanted to make a radical break away from what they considered to be outdated art ideals and move towards a new, freer conception of art. The most famous example of such a departure is the Vienna Secession, which was founded in 1897 under the direction of Gustav Klimt

The Gallen-Kallela, Klimt & Wien exhibition will present artists with whom Akseli Gallen-Kallela collaborated and in whose exhibitions he participated. At the beginning of the 20th century, Vienna was a pulsating hub of new ideas, styles and international influences, attracting artists from various fields all over Europe. The efforts of these artists to reform art and the world of art are highlighted in the exhibition, which will feature both modern art and design. 

An expansive movement to develop new artistic identities and strive for a simplification of form 


The main goal of the Secessionists was the equality of all art forms. Visual art, architecture, crafts, design and fashion were to represent a changed and modern world. The Secessionists were united by the development of a new identity and way of life, as well as an interest in large public works of art and the depiction of beauty. Secessionism was an expansive but not unified art movement. Rather, it incorporated a broad array of styles and a striving for both stylisation and simplification. 

Akseli Gallen-Kallela focused on Finnish subject matter, but he developed his expression in close interaction with international modernists. One of these was Koloman Moser, who shared Gallen-Kallela’s interest in the concept of Gesamtkunstwerk and the idea of equality between different art forms. Gallen-Kallela worked in Central Europe from 1895 to 1908, and participated in exhibitions presenting work by Secessionist groups in several cities in Germany, and twice in Vienna, in 1901 and 1904. 

Women working as artists and designers 

Women could not become official members of the Vienna Secession, but they participated in exhibitions and played a significant role in the reform effort. The role of women as artists and designers was particularly important in the Wiener Werkstätte, an association of “artists and artisans”, which brought together art and everyday objects according to a comprehensive design philosophy. There will be a special section in the Gallen-Kallela, Klimt & Wien exhibition dedicated to the Wiener Werkstätte

In addition to visual art, the exhibition will include photography and design: everyday objects, jewellery and fashion, such as a reform dress by the fashion designer Emilie Flöge. The new shape of the reform dress freed women from the ideal of the wasp waist and the tightness of corsets. Flöge was an Austrian fashion designer and businesswoman, and the longest-standing companion of Gustav Klimt. 

The exhibition will feature works, for example, by the following artists and designers: Emilie Flöge, Akseli Gallen-Kallela, Ferdinand Hodler, Josef Hoffmann, Gustav Klimt, Broncia Koller-Pinell, Max Kurzweil, Elena Luksch-Makowsky, Koloman Moser, Edvard Munch, and Egon Schiele

The Gallen-Kallela, Klimt & Wien exhibition will be realised in collaboration with the Belvedere art museum in Vienna. The exhibition is curated by the chief curator at the Ateneum, Anu Utriainen in cooperation with Arnika Groenewald-Schmidt, PhD (Belvedere).

There will be an exhibition catalogue published in Finnish, Swedish and English. 

Gallen-Kallela, Klimt & Wien at the Ateneum, 26 September 2025–1 February 2026 

Opening hours and admission


Opening hours 27 Jan–30 Jun 2025 and 1 Sep–31 Dec 2025: 

Mon closed | Tue–Wed 10–18 | Thu 10–20 | Fri 10–18 | Sat–Sun 10–17 |  

In July and August, the museum will also be open on Mondays. From 1 July to 31 August 2025, the museum will be open as follows: 

Mon 11–17 | Tue–Wed 10–18 | Thu 10–20 | Fri 10–18 | Sat–Sun 10–17 |  

Admission fees  

Standard ticket at the ticket office €22 | Standard ticket online €20 | Concession ticket €12 | 18–24-year-olds €12 | Under 18-year-olds free of charge | Free admission with a Museum Card 

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Images

Akseli Gallen-Kallela: Spring, study for the Jusélius Mausoleum frescoes (1903). Sigrid Jusélius Collection, deposit, Finnish National Gallery Collection, Ateneum Art Museum. Photo: Finnish National Gallery / Jenni Nurminen
Akseli Gallen-Kallela: Spring, study for the Jusélius Mausoleum frescoes (1903). Sigrid Jusélius Collection, deposit, Finnish National Gallery Collection, Ateneum Art Museum. Photo: Finnish National Gallery / Jenni Nurminen
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Axel Gallén and his assistants painting the Spring fresco in the Jusélius Mausoleum in Pori, 1901-1903. Photo: Akseli Gallen-Kallela's photo collection, The Gallen-Kallela Museum
Axel Gallén and his assistants painting the Spring fresco in the Jusélius Mausoleum in Pori, 1901-1903. Photo: Akseli Gallen-Kallela's photo collection, The Gallen-Kallela Museum
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Gustav Klimt: Beethoven Frieze: The Hostile Forces - panel 1 and 2, front wall (1901/1902), Belvedere, Vienna. On permanent loan in the Secession Building, Vienna. Photo: Belvedere, Vienna. Copies of the mural will be on display at the exhibition.
Gustav Klimt: Beethoven Frieze: The Hostile Forces - panel 1 and 2, front wall (1901/1902), Belvedere, Vienna. On permanent loan in the Secession Building, Vienna. Photo: Belvedere, Vienna. Copies of the mural will be on display at the exhibition.
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Gustav Klimt: Amalie Zuckerkandl (1917/1918). 1988 Widmung Vita & Gustav Künstler, Belvedere, Vienna. Photo: Johannes Stoll / Belvedere, Vienna
Gustav Klimt: Amalie Zuckerkandl (1917/1918). 1988 Widmung Vita & Gustav Künstler, Belvedere, Vienna. Photo: Johannes Stoll / Belvedere, Vienna
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Akseli Gallen-Kallela: Lake Keitele (1904), private collection. Gallen-Kallelan Museo / Jukka Paavola
Akseli Gallen-Kallela: Lake Keitele (1904), private collection. Gallen-Kallelan Museo / Jukka Paavola
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Koloman Moser: Self-Portrait (c. 1915), Belvedere, Vienna. Photo: Belvedere, Vienna
Koloman Moser: Self-Portrait (c. 1915), Belvedere, Vienna. Photo: Belvedere, Vienna
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Gustav Klimt photographed by Moriz Nähr, c. 1911, Wien Museum. Photo: CC0
Gustav Klimt photographed by Moriz Nähr, c. 1911, Wien Museum. Photo: CC0
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Broncia Koller-Pinell: The Artist's Mother (1907), Belvedere, Vienna. Photo: Johannes Stoll / Belvedere, Vienna
Broncia Koller-Pinell: The Artist's Mother (1907), Belvedere, Vienna. Photo: Johannes Stoll / Belvedere, Vienna
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The Finnish National Gallery is the national museum of fine arts. It operates three of Finland’s best-known museums: the Ateneum Art Museum, the Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum. It also manages the national art collection and its archives, develops Finnish cultural heritage and promotes art to the wider public. 

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Latest releases from Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum

En testamentsdonation sätter fart på konserveringen av Akseli Gallen-Kallelas freskskisser15.5.2025 10:50:44 EEST | Pressmeddelande

Konstmuseet Ateneum som är en del av Finlands Nationalgalleri har fått en betydande testamentsdonation på 700 000 euro av en finsk privatperson. Enligt donatorns önskan ska 150 000 euro av de donerade medlen användas för Nationalgalleriets konserveringsenhets behov och anskaffningar. Donatorn har önskat förbli anonym. Tack vare donationen kan vi tidigarelägga ett länge planerat projekt: att konservera Akseli Gallen-Kallelas freskskisser med Kalevala-motiv som ingår i Nationalgalleriets samlingar. Gallen-Kallela utförde skisserna för freskerna i takkupolen på Finlands paviljong vid världsutställningen i Paris år 1900. Av dessa kommer Hedendom och kristendom (1899) att visas på Ateneum på utställningen Gallen-Kallela, Klimt & Wien, som är öppen 26.9.2025–1.2.2026.

Testamenttilahjoitus vauhdittaa Akseli Gallen-Kallelan freskoluonnosten konservointia15.5.2025 10:50:44 EEST | Tiedote

Kansallisgalleriaan kuuluva Ateneumin taidemuseo on saanut merkittävän, noin 700 000 euron testamenttilahjoituksen suomalaiselta yksityishenkilöltä. Lahjoittajan toiveen mukaisesti lahjoitusvaroista 150 000 euroa käytetään Kansallisgallerian konservointiyksikön tarpeisiin ja hankintoihin. Lahjoittaja on toivonut, ettei hänen nimeään kerrota julkisuuteen. Lahjoituksen ansiosta voidaan toteuttaa pitkään suunniteltu hanke aiottua aikaisemmin: konservoida Kansallisgallerian kokoelmaan kuuluvat Akseli Gallen-Kallelan Kalevala-aiheiset luonnokset vuoden 1900 Pariisin maailmannäyttelyn Suomen paviljongin kattokupolin freskoihin. Näistä Pakanuus ja kristinusko (1899) saadaan esille Ateneumissa 26.9.2025–1.2.2026 esillä olevaan Gallen-Kallela, Klimt & Wien -näyttelyyn.

A bequest to expedite the conservation of Akseli Gallen-Kallela’s fresco sketches15.5.2025 10:50:44 EEST | Press release

The Ateneum Art Museum, which is part of the Finnish National Gallery, has received a significant bequest of approximately 700,000 euros from a Finnish private individual. As requested by the donor, 150,000 euros of the bequeathed funds will be used for the needs and acquisitions of the Finnish National Gallery’s conservation unit. The donor’s wish is that their name is not published. Thanks to the bequest, a long-planned project can be realised earlier than expected: the conservation of the Kalevala-themed sketches by Akseli Gallen-Kallela, held in the collection of the Finnish National Gallery, for the cupola frescoes of the Finnish pavilion at the 1900 Paris Exposition. Of these, Heathendom and Christendom (1899) will be on display at the Ateneum from 26 September 2025 to 1 February 2026 as part of the exhibition Gallen-Kallela, Klimt & Wien.

Helene Schjerfbeck-utställning visas på The Metropolitan Museum of Art i New York2.4.2025 07:40:00 EEST | Pressmeddelande

En utställning med verk av en av Finlands mest kända konstnärer, Helene Schjerfbeck, kommer att visas på det prestigefyllda museet The Metropolitan Museum of Art (The Met) i New York 5.12.2025–5.4.2026. Det är första gången en finsk konstnär får en utställning på The Met, som är ett av de mest betydande museerna i världen. Utställningen är resultat av Ateneums långsiktiga arbete och en del av projektet Klassikerna ut i världen som för ut den finska konsten i världen med stöd av Jane och Aatos Erkkos stiftelse.

Helene Schjerfbeck -näyttely The Metropolitan Museum of Artiin New Yorkiin2.4.2025 07:40:00 EEST | Tiedote

Suomen tunnetuimpiin taiteilijoihin kuuluvan Helene Schjerfbeckin teosten näyttely nähdään arvostetussa New Yorkin The Metropolitan Museum of Artissa (The Met) 5.12.2025–5.4.2026. Tämä on ensimmäinen kerta, kun suomalainen taiteilija saa näyttelyn The Metiin, joka on yksi maailman merkittävimmistä taidemuseoista. Näyttely on Ateneumin pitkäjänteisen työn tulos ja osa Klassikot maailmalle -hanketta, joka vie taidetta ulkomaille Jane ja Aatos Erkon säätiön tuella.

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