Gallen-Kallelan Museo

Con amore – Akseli Gallen-Kallela’s graphic art 14 February – 31 May 2026

28.1.2026 07:00:00 EET | Gallen-Kallelan Museo | Press invitation

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Gallen-Kallela Museum’s spring exhibition showcases delicate, small-scale art created with love. Akseli Gallen-Kallela’s graphic art invites the viewer to pause and examine the details of the artworks up close.

Exhibition poster. Black and white text on a red background: Con Amore – Akseli Gallen-Kallela's graphic art 14.2.–31.5.2026. Black decorative patterns on both sides of the text.
The exhibition design was created by Jarkko Mäki-Kojola / GKM. Press images are intended solely for writing about the exhibition and related news coverage. Images may be used free of charge in an editorial context, provided that the exhibition and the creator are credited.

Akseli Gallen-Kallela (1865–1931) is a pioneer of Finnish modern graphic art and commercial graphics. The exhibition introduces the artist’s diverse production and role as a developer of graphic expression.  

Gallen-Kallela produced over a hundred graphic artworks during his career: ex libris, portraits, landscapes, Kalevala themes as well as posters, mostly between 1895 and 1915.  

Gallen-Kallela, who followed trends in the art world closely, learned the basics of etching in Berlin in 1895 and later worked independently in Kalela to familiarise himself with the woodcut technique. The artist was interested in various techniques and soon moved on to lithography and poster art, developed his printmaking techniques and shared his expertise with his students, such as Hugo Simberg (1873–1917) and Eric O. W. Ehrström (1881–1934).   

Gallen-Kallela had hoped to receive some sorely needed extra income from his “treasures of miniature art” but in Finland, his contemporary audience shied away from the minimalist artworks. Although printmaking did not prove to be financially profitable, despite his expectations, making the art brought great joy to the artist: “If there was any hope that I could earn something with my woodblock prints, I would rather work on them, for I truly make them con amore.” 

The artist’s printmaking, which emphasises black-and-white expression, received well-deserved international attention, for example, among the Die Brücke group. Gallen-Kallela was invited as a member of the group in 1907, and he participated in many of the group’s exhibitions. The iconic Bil-Bol (1907), also displayed in this exhibition, is known world over as a classic work of Finnish poster art.  

A special feature of the exhibition is the rarely seen version of Gallen-Kallela’s artwork Flower of Death (1895) with an outreached hand. The print-work is considered to be the first Finnish woodcut. 

The exhibition has been curated by the art historian Elias Djupsjö (MA) in cooperation with the Gallen-Kallela Museum. The themes of the exhibition are explored in greater depth through sketches and paintings related to the graphic art. The majority of the artworks in the exhibition are from the museum’s own collections, enriched by loans from the Finnish National Gallery and private collections. 

Members of the press are welcome to attend the exhibition opening at the Gallen-Kallela Museum on Friday 13 February 2026 at 6pm–8pm. The welcome address and speeches by Museum Director Tuija Wahlroos, Chair of the Board of the Finnish Printmakers Association Iina Heiskanen as well as Art Historian Elias Djupsjö.

Address: Gallen-Kallela Museum, Gallen-Kallelan tie 27, 02600 Espoo

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Images

"Dark Veil of Winter" is a black-and-white etching by artist Akseli Gallen-Kallela from 1897. The winter landscape depicts a snowy forest with trees in the foreground, a forest in the background, and a skier on the left edge.
Akseli Gallen-Kallela, Dark Veil of Winter, 1897. Etching. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Akseli Gallen-Kallela's black-and-white etching "Paanajärvi Lake in Fog" from 1918. The work depicts a foggy lake landscape with trees in the foreground on the right.
Akseli Gallen-Kallela, Paanajärvi Lake in Fog, 1918. Etching. Finnish National Gallery Collection / Ateneum Art Museum, Antell collections.
Finnish National Gallery / Jenni Nurminen. Press images are intended solely for writing about the exhibition and related news coverage. Images may be used free of charge in an editorial context, provided that the exhibition and the creator are credited.
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A colorful stone lithography by Akseli Gallen-Kallela from 1907, depicting a red car driving at high speed. The car is driven by a male figure who is holding on to a naked female figure sitting next to him. Small stars are visible in the background, and yellow flames surround the car. At the bottom is the text "BIL AKTIE BOL".
Akseli Gallen-Kallela, Bil-Bol, 1907. Stone lithography. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Poster designed by Akseli Gallen-Kallela for the 1895 exhibition featuring works by Edvard Munch and Axel Gallén. The poster has a black-and-white image in the center depicting a reaching hand. There is black text in German on a light background.
Akseli Gallen-Kallela, Poster for the Exhibition of Edvard Munch and Axel Gallén. 1895. Stone lithography. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Akseli Gallen-Kallela's black-and-white work "Mary Gallén at the Door of the Larder" from 1901. In the center of the picture is a woman standing in the doorway. The woman is depicted in profile, looking to the right. In the upper left corner is the text "Kalela 1901."
Akseli Gallen-Kallela, Mary Gallén at the Door of the Larder, 1901, Drypoint. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Akseli Gallen-Kallela's colour woodcut "Death and the Flower" from 1896. At the bottom, only part of the figure of a skeleton wearing a wreath on his head is visible. In the centre of the work is the flower in the figure's hand, with blue and orange in the background. Bright, contrasting colors.
Akseli Gallen-Kallela, Death and the Flower, 1896. Colour woodcut. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Ex libris image depicting a couple standing with their backs to the viewer, looking out at a lake landscape and the opposite shore from the porch of a house. The text "Ex libris" appears at the top, and "Mary et Axel Gallén" at the bottom. Black-and-white woodcut by Akseli Gallen-Kallela from 1896.
Akseli Gallen-Kallela, Ex libris Mary et Axel Gallén, 1896. Woodcut. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Akseli Gallen-Kallela's black-and-white woodcut "Flower of Death" from 1895. In the picture, a child standing with his back to the viewer on the bank of a small pond is looking at a flower growing in front of him. In the background is a forest, and behind a tree peeks out the figure of a skeleton man. On the left side is text in the form of a poem in Finnish.
Akseli Gallen-Kallela, Flower of Death, 1895. Woodcut. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Etching and aquatint depicting a rural landscape with a church. In the foreground lies a child with their eyes closed and arms crossed. At the top is the text "In Memoriam A. 1897" and at the bottom text "Impi Marjatta Gallen."
Akseli Gallen-Kallela, In Memoriam Impi Marjatta Gallén, 1897. Etching and aquatint. Gallen-Kallela Museum.
GKM / Jukka Paavola. CC BY 4.0
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Exhibition poster. Black and white text on a red background: Con Amore – Akseli Gallen-Kallela's graphic art 14.2.–31.5.2026. Black decorative patterns on both sides of the text.
The exhibition design was created by Jarkko Mäki-Kojola / GKM.
Press images are intended solely for writing about the exhibition and related news coverage. Images may be used free of charge in an editorial context, provided that the exhibition and the creator are credited.
Download

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Gallen-Kallela Museum

Designed and built by artist Akseli Gallen-Kallela (1865-1931), the Tarvaspää Studio Castle presents temporary exhibitions of the art and life of Gallen-Kallela and his contemporaries, as well as contemporary art. The museum offers a wide range of activities and events and serves as a centre of information on Akseli Gallen-Kallela.

A summer photo of the Tarvaspää Studio Castle.

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