Edith Karlson’s exhibition uses fairy tale imagery to make sense of contemporary reality
16.4.2026 08:33:00 EEST | KIASMA | Press release
Sculptor Edith Karlson’s exhibition confronts visitors with four-metre giants, a skeleton arching across the hall, and an entire army riding toward its inevitable fate – while birds watch on silently. By a well, mermaids rise from the water to witness the consequences of human destruction on sea and land. The exhibition opens at Kiasma on Friday, 17 April 2026.

“I am desperately trying to understand the world, but its current state is so absurdly horrific that it goes beyond all comprehension,” says Karlson. “I love fairy tales, but when I look at my works collectively, they feel – despite their strangeness – more like reality than fairy tales, though perhaps not quite as brutal.”
For Kiasma, Karlson has created a world inhabited by humans, animals, and mythical creatures. Visitors weave through sculptural groups as the lighting shifts from warm artificial yellow to natural daylight.
Mythical characters, for Karlson, are a vehicle for exploring questions that reason alone cannot answer. Prehistory, fossils, and archaeology also provide enduring inspiration. Humans and animals are united by instinct, a tenacious will to survive, and the ability to adapt – themes she consistently examines in her practice.
Karlson employs a diverse array of materials, including clay, concrete, and silicone, creating works that often retain a raw, unfinished quality. Many pieces are left unglazed, their surfaces rough, evoking processes of transformation and transition. Birds and snakes capable of shedding their skin are recurring motifs, symbolising continual renewal.
“Nothing in this world ever ends or is ever finished,” Karlson reflects. “Every day is a struggle from the moment I wake, but I have learned to find joy in small, ordinary things: birds going about their avian business, or even when someone extends a courtesy by giving way in traffic.”
Edith Karlson (b. 1983) lives and works in Tallinn. She has exhibited widely in Estonia and internationally, most recently at the Sapieha Palace Contemporary Art Centre in Vilnius (2025), the Contemporary Art Museum of Estonia (2021), the Estonian Art Museum KUMU (2019–2020), and the Museum der bildenden Künste Leipzig (2018). She represented Estonia at the 2024 Venice Biennale.
The exhibition is curated by Piia Oksanen from Kiasma.
Edith Karlson
Dawn till Dawn
17.4.–27.9.2026
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Contacts
Information for media:
Piia Oksanen, Curator, +358 294 500 538, piia.oksanen@kiasma.fi
Kiasma Communications:
Kiira Koskela, Communications Officer, +358 50 4786 861, kiira.koskela@kiasma.fi
Piia Laita, Head of Communications, +358 294 500 507, piia.laita@kiasma.fi
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Museum of Contemporary Art Kiasma
Mannerheiminaukio 2,
FIN-00100
Helsinki, Finland
The Finnish National Gallery is the national museum of fine arts. It operates three of Finland’s best-known museums: the Ateneum Art Museum, the Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum. It also manages the national art collection and its archives, develops Finnish cultural heritage and promotes art to the wider public. www.kansallisgalleria.fi/en
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