Schjerfbeck and fashion at Villa Gyllenberg next spring

Schjerfbeck and fashion

Helene Schjerfbeck (1862–1946) loved both painting and fashion, and in her portraits the model’s attire was an integral part of the work. The birth of modern fashion coincided with Helene Schjerfbeck’s career, which spanned from the 1870s to the 1940s.

Schjerfbeck was particularly fond of French-style apparel, and French fashion magazines served as inspiration for her paintings as well. The coolly elegant figures of the women in the fashion photos, with their long necks and reddened lips, merged into the image of modern femininity embodied in works of art. Schjerfbeck’s enthusiasm for fashion is also evident in her letters to her cousin Dora Estlander, who was the model for the painting Elegant Lady (Dora), (ca. 1928). The letters from 1922–1945 are now owned by the Signe and Ane Gyllenberg Foundation, and the research conducted for the exhibition is partially based on this source material.

“We want to highlight the side of Helene Schjerfbeck, and many other Finnish artists too, that loved both art and fashion. Often thought of as superficial and transient, fashion is commonly seen as the opposite of art, which is perceived as edifying and timeless. However, modern art and modern fashion are intertwined in many ways. Schjerfbeck's art and her correspondence illustrate this perfectly,” says Lotta Nylund, Chief Curator at Villa Gyllenberg.

Historical glamour

Especially in portrait art, clothing has played a key role. Alongside Schjerfbeck’s works, the exhibition presents works by more than twenty other Finnish artists related to fashion and costume history. For example, Albert Edelfelt (1854–1905) and Gunnar Berndtson (1854–1895) were inspired by the world of fashion, and costumes and textiles are central to creating atmosphere and impression in their works.

In addition to fine art, the exhibition presents about thirty costumes of the period, from leisurewear to brilliant evening dresses. The exhibition also highlights the history of costume making and atelier fashion.

“We want the exhibition visitors to see the costumes of the past and learn about the cultural history of fashion. Costumes communicate the identity and social status of their wearers, and the history of costumes helps to interpret works of art and the people appearing in them,” Nylund explains.

Artists featured in the exhibition include: Gunnar Berndtson, Väinö Blomstedt, Yngve Bäck, Birger Carlstedt, Marcus Collin, Albert Edelfelt, Ragnar Ekelund, Akseli Gallen-Kallela, Olga Gummerus-Ehrström, Axel Haartman, Greta Hällfors-Sipilä, Eero Järnefelt, Erkki Koponen, Väinö Kunnas, Vilho Lampi, Yrjö Ollila, Jalmari Ruokokoski, Tyko Sallinen, Santeri Salokivi, Helene Schjerfbeck, Hugo Simberg, Venny Soldan-Brofeldt, Ilmari Vuori, Dora Wahlroos, Matti Warén, Torsten Wasastjerna and Maria Wiik.

The curators of the exhibition are art historian Marja Lahelma, fashion historian Katri Pyysalo and Villa Gyllenberg’s chief curator Lotta Nylund.

In connection with the exhibition, a richly illustrated book related to the theme of the exhibition will be published in Finnish and Swedish (Parvs Publishing Ltd). The publication contains several articles written by experts in fashion and art history. The exhibition is part of the 75^th anniversary of the Signe and Ane Gyllenberg Foundation.

Tour bookings

villa@gyllenbergs.fi

Address

Kuusisaarenpolku 11
00340 Helsinki