Ateneumin taidemuseo / Konstmuseet Ateneum / Ateneum Art Museum

Eero Järnefelt exhibition fascinates with all things nature, from the minute to the monumental

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From 5 April to 25 August 2024, the Ateneum Art Museum will present an exhibition that covers the entire career of Eero Järnefelt (1863–1937). A master depicter of nature and people, Järnefelt always sought emotion and truth. The exhibition will present the extensive oeuvre of Järnefelt, who grew up in a cultured, cosmopolitan family, and it will explore the artist’s significance for Finnish art and Finnishness. The varied nature depictions raise the question of whether the natural environments captured by the artist in the 19th and 20th centuries still exist. 

The press conference for the exhibition will be held on Wednesday 3 April 2024, on site at the Ateneum and online. For more information, see below. 

Eero Järnefelt: Saimi in the Meadow (1892). Deposit, Järvenpää Art Museum.
Eero Järnefelt: Saimi in the Meadow (1892). Deposit, Järvenpää Art Museum. Photo: Järvenpää Art Museum / Matias Uusikylä.

Järnefelt sought to capture the essential in his works

Eero Järnefelt’s art draws from the interesting cultural background of his family, and it is characterised by capturing the essential traits in both nature and people. The artist knew how to portray his subjects: his works feature minute details, delicate atmospheres, and imposing monumentality. 

The exhibition sheds light on the various aspects of Järnefelt’s view of landscapes and people. It also provides information about Järnefelt’s immediate and extended family, study trips, home life in Suviranta on Lake Tuusulanjärvi, and the links between his art and the Fennoman ideology of his time. 

Järnefelt’s nature paintings and landscapes of the Koli area raise the question whether the natural environments depicted by the artist in the 19th and 20th centuries still exist – and what our relationship with nature and landscapes is today. In his works, the artist pays the same amount of attention to imposing hill landscapes and the delicate details of a pond water-crowfoot or a marsh marigold. 

Järnefelt is also known for his portraits of prominent figures of his time. The exhibition will feature interesting portraits of, for example, Tekla Hultin, journalist, Doctor, and Member of Parliament, and Mathilda Wrede, who dedicated her life to helping prisoners and the disadvantaged. 

The exhibition will also feature a special route designed for visitors with children, which encourages viewing and discussing the works on display from a child’s perspective. 

The exhibition is curated by the chief curator at the Ateneum, Timo Huusko. Most of the works come from the collection of the Finnish National Gallery, but there is also a large number of works on loan from other museums and private collections. A total of over 200 works will be on display. 

The exhibition will be complemented by the publication of an exhibition catalogue, to be made available in Finnish, Swedish and English and featuring new information and research on Järnefelt’s immediate and extended family, travels, and his home life in Suviranta. The book is edited by the curator of collections at the Ateneum, Hanne Selkokari, with written contributions by Timo Huusko, Anna-Maria von Bonsdorff, Julia Donner, Teemu Keskisarja, Minna Maijala, Tutta Palin and Hanne Selkokari. 

The huge influence of the Järnefelt family on Finnish cultural life

In the exhibition, you can also learn about the Järnefelt family and close relatives, who had a huge influence on the art and culture of Finland at the end of the 19th century and the beginning of the 20th century. Järnefelt’s siblings, the critic Kasper, the writer Arvid, the musician Armas, and Aino, who later became Jean Sibelius’s wife, are remembered not only for their contributions to visual arts, literature and music, but also as part of a wider network of active cultural figures. 

Eero Järnefelt’s father Alexander Järnefelt made the Fennomans’ battle for the Finnish language his life’s work, and his mother Elisabeth Järnefelt is especially remembered for her literary salon, the most famous participant of which was the writer Juhani Aho.  

Book places for an exhibition intro – for example, for yourself or a group of friends

In the exhibition intro, an expert guide introduces visitors to Eero Järnefelt’s art with the help of a rich visual presentation. Places for group intros are on sale now – individual places can be booked starting 11 March. 

Read more about exhibition intros for groups 

You can buy advance tickets on the Ateneum website 

If you want to guarantee your admission to the Ateneum at a specific time, we recommend buying an advance ticket. Tickets can also be booked with a Museum Card and various annual passes, with no additional fees. Tickets are also sold at the door. 

Read more about buying tickets 

Press conference on Wednesday 3 April at 10:15 – also online

A press conference for the exhibition will be held in the Ateneum Hall starting at 10:15. The doors of the Ateneum will open at 10:00. The exhibition will be open for preview on the third floor of the museum until 13:00. You can also follow the press conference online.

The exhibition and Eero Järnefelt will be discussed by the director of the Ateneum, Anna-Maria von Bonsdorff, and the exhibition curator, the chief curator at the Ateneum, Timo Huusko. 

The event will be in Finnish. Please register for the event by 2 April 2024. Click this link to register 

See directions on how to get here. 

You can also follow the press conference online 

To join the press conference online, click this link. You can join from 10:00, and the press conference will start at 10:15. During the event, you can ask questions using the chat function. To join the meeting using a mobile device, you need to download the Teams application. When using a computer, you can also join using just a browser. When using a browser, we recommend using the latest version of Chrome or Edge.  

More information: Communications manager Anna Kari, tel. +358 40 717 8185, anna.kari [a] ateneum.fi 

Images: press.ateneum.fi 

Ateneum Art Museum

Opening hours: Tue–Fri 10:00–20:00 | Sat, Sun 10:00–17:00 | Mon closed

Admission fees: Standand admission at the ticket office €22 | Standard admission online €20 | Discounted admission €12 | 18–24-year-olds €12 | Under 18-year-olds €0 | Museum Card: free entry

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Images

Eero Järnefelt: Saimi in the Meadow (1892). Deposit, Järvenpää Art Museum.
Eero Järnefelt: Saimi in the Meadow (1892). Deposit, Järvenpää Art Museum.
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Eero Järnefelt: Landscape from Koli (1928). Finnish National Gallery / Ateneum Art Museum, collection Suomen Säästöpankki Oy.
Eero Järnefelt: Landscape from Koli (1928). Finnish National Gallery / Ateneum Art Museum, collection Suomen Säästöpankki Oy.
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Eero Järnefelt: Portrait of Mathilda Wrede (1896). Finnish National Gallery / Ateneum Art Museum.
Eero Järnefelt: Portrait of Mathilda Wrede (1896). Finnish National Gallery / Ateneum Art Museum.
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Eero Järnefelt: Pond Water Crowfoot (1895). Finnish National Gallery / Ateneum Art Museum, collection Wuorio.
Eero Järnefelt: Pond Water Crowfoot (1895). Finnish National Gallery / Ateneum Art Museum, collection Wuorio.
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Eero Järnefelt: Frog with Marsh Marigold (undated). Finnish National Gallery / Ateneum Art Museum.
Eero Järnefelt: Frog with Marsh Marigold (undated). Finnish National Gallery / Ateneum Art Museum.
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Eero Järnefelt: Portrait of Tekla Hultin (1905). Finnish National Gallery / Ateneum Art Museum, Antell collection.
Eero Järnefelt: Portrait of Tekla Hultin (1905). Finnish National Gallery / Ateneum Art Museum, Antell collection.
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The Finnish National Gallery is the national museum of fine arts. It operates three of Finland’s best-known museums: the Ateneum Art Museum, the Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum. It also manages the national art collection and its archives, develops Finnish cultural heritage and promotes art to the wider public. 

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Välkommen till presskonferensen för Eero Järnefelt-utställningen på onsdag den 3 april 2024 kl. 10.15.20.3.2024 12:34:53 EET | Tiedote

Presskonferensen för utställningen hålls onsdagen 3.4.2024 kl. 10.15 både på Ateneum och på nätet – noggrannare information nedan. På Konstmuseet Ateneum ses 5.4–25.8.2024 en utställning som omfattar Eero Järnefelts (1863–1937) hela karriär. Järnefelt växte upp i en kosmopolitisk kulturfamilj och var en mästerlig natur- och porträttmålare som i sin konst ständigt sökte känsla och sanning. Den nu aktuella utställningshelheten presenterar hans omfattande produktion och hans betydelse för Finlands konst och för finskheten. De mångsidiga naturskildringarna kan få betraktaren att undra om den natur konstnären skildrade på 1800- och 1900-talen ännu existerar.

Tervetuloa Eero Järnefelt -näyttelyn tiedotustilaisuuteen keskiviikkona 3.4.202420.3.2024 12:34:53 EET | Tiedote

Näyttelyn tiedotustilaisuus on ke 3.4.2024 sekä Ateneumissa että verkossa klo 10.15 – lisätiedot alempana. Ateneumin taidemuseossa nähdään 5.4.–25.8.2024 mestarillisen luonto- ja henkilökuvaajan, tunnetta ja totuutta etsineen Eero Järnefeltin (1863–1937) koko uraa käsittävä näyttely. Kokonaisuus esittelee kosmopoliitin kulttuuriperheen kasvatin mittavaa tuotantoa sekä taiteilijan merkitystä Suomen taiteelle sekä suomalaisuudelle. Monipuoliset luontokuvaukset saavat pohtimaan, onko taiteilijan 1800- ja 1900-luvuilla kuvaamaa luontoa enää olemassa.

Welcome to the Eero Järnefelt exhibition press conference on Wednesday, April 3, 2024, at 10:1520.3.2024 12:34:53 EET | Press release

The press conference for the exhibition will be held on Wednesday 3 April 2024 at 10:15, on site at the Ateneum and online. For more information, see below. From 5 April to 25 August 2024, the Ateneum Art Museum will present an exhibition that covers the entire career of Eero Järnefelt (1863–1937). A master depicter of nature and people, Järnefelt always sought emotion and truth. The exhibition will present the extensive oeuvre of Järnefelt, who grew up in a cultured, cosmopolitan family, and it will explore the artist’s significance for Finnish art and Finnishness. The varied nature depictions raise the question of whether the natural environments captured by the artist in the 19th and 20th centuries still exist.

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